Eurovision Was Traditionally a Whimsical Delight – However It Has Transformed Into a Calculated Tool to Gloss Over Warfare.

A freshly coined acronym came to light a couple of months into the military campaign against Gaza. Referred to as WCNSF, it stands for “Child casualty without any family left”. This designation is found only in Gaza, per insights from doctors including paediatricians. Ordinarily, it is uncommon for physicians to attend to a child who has been bereaved of their whole family. However, there has been absolutely nothing ordinary concerning the genocide in Gaza, where complete genealogies have been wiped out and the number of children who have lost limbs is greater than that of any other region in the world. Nothing ordinary about scores of doctors returning from a landscape of rubble with testimonies of children being intentionally shot at.

An Unimaginable Crisis In Spite Of a Supposed Ceasefire

The Gaza Strip continues to be a profound humanitarian disaster. Essential medical supplies are not getting in those in need, and major human rights organizations have stated that violations are still being committed. The Israeli government has denied these accusations, just as it refutes everything it is charged with. But while grieving children who lost parents are now enduring frigid conditions in makeshift tent camps, there is a piece of uplifting information: nothing is going to stop the Eurovision song contest from continuing with its stated mission of “togetherness and artistic sharing.” The contest will continue to extend a blood-red carpet for Israel, despite the fact that a number of European countries have now boycotted in dissent. Because this, it seems, is what unity resembles.

Historically, Eurovision excluded Russia from taking part in 2022 due to the “unprecedented crisis in Ukraine”. Yet the conflict in Gaza seems entirely distinct.

Contradictory Principles

Forget the fact that Israel was accused of questionable voting tactics last year in what could be seen as an effort to manipulate Eurovision. Ignore the report that a three-year-old girl was allegedly fatally struck in Gaza recently. Pay no mind to the evidence that settler violence and forced displacement in the West Bank have surged. Disregard the condition that international journalists are still denied independent reporting in Gaza. This entire context, evidently, should be allowed to get in the way of Eurovision’s self-proclaimed spirit of unity.

The Show Goes On While Ignoring Profound Human Cost

Eurovision reaches its seventieth anniversary next year – roughly two times the current lifespan of a person in Gaza now. The event will proceed, but it will find it impossible to reclaim the camp joy it historically embodied. An institution that initially championed harmony has devolved into a transparent instrument to whitewash war.

Stacey Suarez
Stacey Suarez

A seasoned casino enthusiast with over a decade of experience in slot gaming and gambling analysis.